• Inventory Split Incoming

    MassiveCraft will be implementing an inventory split across game modes to improve fairness, balance, and player experience. Each game mode (Roleplay and Survival) will have its own dedicated inventory going forward. To help players prepare, we’ve opened a special storage system to safeguard important items during the transition. For full details, read the announcement here: Game Mode Inventory Split blog post.

    Your current inventories, backpacks, and ender chest are in the shared Medieval inventory. When the new Roleplay inventory is created and assigned to the roleplay world(s) you will lose access to your currently stored items.

    Important Dates

    • April 1: Trunk storage opens.
    • May 25: Final day to submit items for storage.
    • June 1: Inventories are officially split.

    Please make sure to submit any items you wish to preserve in the trunk storage or one of the roleplay worlds before the deadline. After the split, inventories will no longer carry over between game modes.

Dark Devoted

In a damp, torch-lit chamber a figure falls to their knees. They wear thick black robes that are coated in moss and dust, and very full of holes. Their face is entirely masked by a steel helmet with many dents.

The small dark room is scattered with various relics, most common is the ash. The grey substance is everywhere, at one point it would seem the figure had tried use bottles and jars to contain it. But now the floor had a constant layer of the stuff that masked any trace of rug or stone. Among the ash was also busted swords, axes, and shreded black uniforms that longed for their ownerers. Broken canes fill up an entire corner of the room, some stained red with long dried blood.

The figure knits their hands together as they kneel.

They are preying, preying to a painting. Its rather large, taking up several feet of space as it remains propped against a wall. The painting is elegant, with broad nd beautiful strokes. It depicts a grand staircase with engraved golden railings and a blood red carpet. A woman decends the stairs, she appears almost translucent, her bones seeming visible as the light strikes her in the painting. Her skin is pale and her eyes a piercing blue, she has an eternal scowl, as if she were disgusted.

The figue exhales, then speaks in a hushed and icy voice. "Savior Freya, guide my path."

(Some people who might like this)
@Beash @MrSpideyPool @Zytus @Buckwheat2003
 
In a damp, torch-lit chamber a figure falls to their knees. They wear thick black robes that are coated in moss and dust, and very full of holes. Their face is entirely masked by a steel helmet with many dents.

The small dark room is scattered with various relics, most common is the ash. The grey substance is everywhere, at one point it would seem the figure had tried use bottles and jars to contain it. But now the floor had a constant layer of the stuff that masked any trace of rug or stone. Among the ash was also busted swords, axes, and shreded black uniforms that longed for their ownerers. Broken canes fill up an entire corner of the room, some stained red with long dried blood.

The figure knits their hands together as they kneel.

They are preying, preying to a painting. Its rather large, taking up several feet of space as it remains propped against a wall. The painting is elegant, with broad nd beautiful strokes. It depicts a grand staircase with engraved golden railings and a blood red carpet. A woman decends the stairs, she appears almost translucent, her bones seeming visible as the light strikes her in the painting. Her skin is pale and her eyes a piercing blue, she has an eternal scowl, as if she were disgusted.

The figue exhales, then speaks in a hushed and icy voice. "Savior Freya, guide my path."

(Some people who might like this)
@Beash @MrSpideyPool @Zytus @Buckwheat2003
You amazing writer you. WINNER